Recorded Live at the Auditório Ibirapuera, S.P.
Guilherme Vergueiro - piano, Sizão Machado - acoustic bass, Alex Buck - drums, Laudir de Oliveira - percussion, Sidmar Vieira - trumpt, Josué dos Santos - tenor sax.

1 - Soul's Journey - Guilherme Vergueiro

2 - Ilusão de Carnaval - Guilherme Vergueiro

3 - China's Dreams - Guilherme Vergueiro

4 - Another day in paradise - Guilherme Vergueiro

5 - Okê Arô - Guilherme Vergueiro. Special guest - Caito Marcondes, percussion;o.

7 - Prece - Guilherme Vergueiro

6 - Ijesa - Guilherme Vergueiro. Special guest - Caito Marcondes, percussão. Solista convidado - Teco Cardoso, baritone sax.

8 - Sururu (Out of the blues) - Guilherme Vergueiro. Guest soloist - Marcelo Munari, guitar.

9 - Tributo - Guilherme Vergueiro

10 - O que é amar - Johnny Alf. Special guest - Zé Luiz Maziotti, vocal. Guest soloist - Raul de Souza, trombone.

11 - Quem sou eu - Johnny Alf. Special guest - Zé Luiz Maziotti, vocal.

12 - Rapaz de bem - Johnny Alf. Special guest - Zé Luiz Maziotti, vocal, Caito Marcondes, percussion. Guest soloists - Marcelo Munari, Teco Cardoso, Raul de Souza.

1 - Corcovado - Antonio Carlos Jobim / Vinícius de Moraes Guilherme Vergueiro - piano, Ricardo Santos - bass, Edison Machado - drums. Recorded in 1971 for rádio Eldorado, São Paulo

2 - Quando me sinto sozinho - Guilherme Vergueiro Guilherme Vergueiro - piano, Walter Booker - bass, Edison Machado - drums, Lea Freire - Flute, Claudio Celso - guitar, José Neto - guitar. Recorded in Boston, 1978

3 - A very good reason - Mozar Terra Vieira Guilherme Vergueiro - piano, Ricardo do Canto - bass, Robertinho Silva - drums, Laudir de Oliveira - percussion, Raul de Souza - trombone, Claudio Guimarães - guitar. Recorded Live at the Teatro Ipanema, Rio de Janeiro in 1989

4 - A Hora do Povo - Guilherme Vergueiro / Teco Cardoso Guilherme Vergueiro - piano, José Marino (Zelão) - bass, Claudio Slon - drums, Teco Cardoso - soprano sax. Recorded in Los Angeles, 1991

5 - Simplesmente - Guilherme Vergueiro Guilherme Vergueiro - piano, Ricardo do Canto - bass, Pablo Silva - drums. Recorded in Los Angeles, 1998

6 - Na Baixa do Sapateiro - Ary Barroso Guilherme Vergueiro - piano, Octavio Bailly Jr. - bass, Marcel Camargo - guitar. Recorded inLos Angeles, 2000 for the radio program Cafe L.A., KCRW,radio hosted by Tom Schnabell.

7 - Homenagem a velha guarda - Sivuca Guilherme Vergueiro - piano, Rafael Rabello - 7 string guitar. Recorded in Los Angeles em 1994 for the radio program Cafe L.A., KCRW,radio hosted by Tom Schnabell.

8 - Tenha pena de mim - Babahú da Mangueira / Ciro de Souza Guilherme Vergueiro - piano Recorded in Rio de Janeiro, 2003

9 - Conselho - Guilherme Vergueiro Guilherme Vergueiro - piano, Teco Cardoso - soprano sax. Recorded live in Los Angeles in 1992

10 - Acontece - Cartola Guilherme Vergueiro - piano Recorded live at the Teatro Ipanema, Rio de Janeiro, 1989.

11 - Desvairada - Garoto Guilherme Vergueiro - piano. Recorded for Radio MEC, Rio de Janeiro, 2006

12 - Um sorriso e uma dor - Guilherme Vergueiro Guilherme Vergueiro - piano Recorded live at the MIS, São Paulo, 1984

13 - Sem companhia - Ivor Lanceloti / Paulo Cesar Pinheiro Guilherme Vergueiro - piano, Teco Cardoso - baritone sax. Recorded in São Paulo, 1987

Bonus track 14 - Beija me - Roberto Martins / Mario Rossi Guilherme Vergueiro - piano and vocal, Walter Booker - bass, Edison Machado - drums, Lea Freire - flute, Claudio Celso - guitar, José Neto - guitar. Recorded in Boston, 1978

Viajando - Guilherme Vergueiro Guilherme Vergueiro - piano, Antonio Sant`anna - bass, Andrea Marcelli - drums, Nailton "Meia Noite" dos Santos - percussion, Jeff Kaye - trumpet - Teco Cardoso - soprano sax. Los Angeles - 1992

Choro - Guilherme Vergueiro Guilherme Vergueiro - piano, Antonio Sant`anna - bass, Andrea Marcelli - drums, Nailton "Meia Noite" dos Santos - percussion, Jeff Kaye - trumpet - Teco Cardoso - soprano sax. Los Angeles - 1992

A Alegria voltou - Guilherme Vergueiro Guilherme Vergueiro - piano, Antonio Sant`anna - bass, Joe Heredia - drums. Nailton "Meia Noite" dos Santos - percussion. Los Angeles - 1991

A hora é essa - Guilherme Vergueiro Guilherme Vergueiro - piano Yamaha CP 80, Ricardo do Canto - bass, Sisão Machado - bass, Claudio Guimarães - guitar, Duda Neves - drums, Marcos André "Doutor" Seraphini - drums, Laudir de Oliveira - percussion, José Luiz Signeri - soprano sax, Teco Cardoso - Sax. Parque da Catacumba, Rio de Janeiro - 1988

Choro bop - Guilherme Vergueiro - piano Yamaha CP 80, Cisão Machado - bass, Claudio Guimarães - guitar, Duda Neves - drums, Teco Cardoso - baritone sax. Parque da Catacumba, Rio de Janeiro - 1988

Arrôcho na boca - Ion Muniz Guilherme Vergueiro - piano Yamaha CP 80, Ricardo do Canto - bass, Sisão Machado - bass, Claudio Guimarães - guitar, Duda Neves - drums, Marcos André "Doutor" Seraphini - drums, Laudir de Oliveira - percussion, José Luiz Signeri, Teco Cardoso, Mauro Senise, Ion Muniz - flutes. Parque da Catacumba, Rio de Janeiro - 1988

Frevo - Hermeto Pascoal Guilherme Vergueiro - piano Yamaha CP 80, Sisão Machado - bass, Claudio Guimarães - guitar, Duda Neves - drums, Teco Cardoso - baritone sax. Parque da Catacumba, Rio de Janeiro - 1988

Nanã - Moacir Santos Guilherme Vergueiro - piano, Ricardo do Canto - bass, Claudio Guimarães - guitar, Robertinho Silva - drums, Laudir de Oliveira - percussion. Raul de Souza - trombone. Teatro Ipanema - Rio de Janeiro - 1989

Valsa de uma cidade - Ismael Filho, Antonio Maria Guilherme Vergueiro - piano, Ricardo do Canto - bass, Claudio Guimarães - guitarr, Robertinho Silva - drums, Laudir de Oliveira - percussion, Raul de Souza - trombone. Teatro Ipanema - Rio de Janeiro - 1989

André de sapato novo - André Filho Guilherme Vergueiro - piano, Ricardo do Canto - bass, Claudio Guimarães - guitar, Robertinho Silva - drums, Laudir de Oliveira - percussion, Raul de Souza - Souzabone. Teatro Ipanema - Rio de Janeiro - 1989

Cadê a Ana - Guilherme Vergueiro Guilherme Vergueiro - piano MIS - São Paulo - 1986

Sou só - Guilherme Vergueiro Guilherme Vergueiro - piano MIS - São Paulo, 1986
All recordings live.

1 – O morro não tem vez – Antonio Carlos Jobim/Vinícius de Moraes Guilherme Vergueiro - piano, Ricardo Santos - bass, Edison Machado - drums. Recorded in 1971 for rádio Eldorado, São Paulo

2 – Sofrer – Paulinho da Viola Recorded in 1978 in Boston. Guilherme Vergueiro – piano, vocal, Walter Booker bass, Edison Machado drums.

3 – O que é amar – Johnny Alf Recorded in 1978 in Boston. Guilherme Vergueiro – piano, vocal Walter Booker bass, José Neto guitar, Edison Machado drums.

4 – Kadi e Nicolau – Guilherme Vergueiro Recorded in 1987, São Paulo. Guilherme Vergueiro piano, Teco Cardoso Alto sax.

5 – Treze – Guilherme Vergueiro Recorded in Los Angeles, 1992. Guilherme Vergueiro piano, José Marino bass, Claudio Slon drums, Teco Cardoso soprano sax.

6 – Eu amo o Rio de Janeiro – Guilherme Vergueiro/Paulinho Lima Recorded in 1993 in Los Angeles. Trumpet solo – Ron King Trombone solo – Bill Reichenback The Guilherme Vergueiro`s Brazilian Big Band.

7 – Abertura – Guilherme Vergueiro Gravado em 1993 in Los Angeles. The Guilherme Vergueiro`s Brazilian Big Band

8 – Samba do Brilho – Guilherme Vergueiro Recorded in 1993 em Los Angeles. Baritone sax solo - Jack Nimitz The Guilherme Vergueiro`s Brazilian Big Band.

9 – Lamentos do morro – Garoto Guilherme Vergueiro - piano, Rafael Rabello - 7 string guitar. Recorded in Los Angeles em 1994 for the radio program Cafe L.A., KCRW,radio hosted by Tom Schnabell.

10 – Rindo a toa – Guilherme Vergueiro Recorded in Los Angeles in 1998. Guilherme Vergueiro piano, Ricardo do Canto bass, Pablo Lima drums.

11 – This time the dream is on me – Rodgers and Hart Recorded in 1998 in Los Angeles. Guilherme Vergueiro piano, Ricardo do Canto bass, Pablo Lima drums, Special guest Gretchen Parlato vocal

12 – I remembered you – Guilherme Vergueiro Recorded in 1998 in Los Angeles. Guilherme Vergueiro piano, Ricardo do Canto bass, Pablo Lima drums, Special guest Gretchen Parlato vocal

13 – Minha Ana – Guilherme Vergueiro Recorded in 2003 in Rio de Janeiro. Guilherme Vergueiro piano.

14 – Braziliana – Baden Powell Recorded in 2006 in Rio de Janeiro for the program CD&CIA, Rádio MEC AM/RJ, hosted by Eduardo Fajardo, artistic director Thais Fraga. Guilherme Vergueiro piano

Bonus tracks

15 – Se acaso você chegasse – Lupiscínio Rodrigues Recorded in 1998 in Los Angeles. Guilherme Vergueiro piano, Ricardo do Canto bass, Pablo Lima drums.

16 – Inútil Paisagem – Antonio Carlos Jobim/Vinícius de Moraes. Recorded in 1998 in Los Angeles. Guilherme Vergueiro piano, Ricardo do Canto bass, Pablo Lima drums, Special guest Gretchen Parlato vocal

17 – Carinhoso – Pixinguinha /João de Barro Recorded in Boston, 1978. Guilherme Vergueiro piano/vocal, Walter Booker bass, Edison Machado drums.

All arrangements by Guilherme Vergueiro except Lamentos do Morro, arranged by Rafael Rabello.

1 - Lugar de cobra é no chão (Carlinhos Vergueiro /Arlindo Cruz)

2 - Prá que se despedir (Carlinhos Vergueiro/Afonso Machado/Dora Vergueiro)

3 - Cigano (Carlinhos Vergueiro /Paulo Cesar Pinheiro)

4 - Disritmou (Carlinhos Vergueiro /Martinho da Vila)

5 - Arrepio no braço (Carlinhos Vergueiro /João Nogueira)

6 - Nossa aliança (Sombrinha/Gordinho/Carlinhos Vergueiro)

7 - Nosso bolero (Carlinhos Vergueiro /Chico Buarque)

8 - Fui (Vou vazar) (Carlinhos Vergueiro/Afonso Machado/Dora Vergueiro)

9 - Vai ouvir (Carlinhos Vergueiro/Paulo César Feital)

10 - Maria e Ademar (Carlinhos Vergueiro /Paulo Cesar Feital)

11 - Linhas de prazer (Carlinhos Vergueiro)

12 - Feitio de oração (Vadico/Noel Rosa)

Carlinhos Vergueiro - vocal,Guilherme Vergueiro - piano,Laudir de Oliveira - percussion,Thiago Silva - drums,Carlinhos 7 cordas - 7 strings guitar.

In 1978, while in New York and working in the night club "Cachaça" with my trio (Claudio Guimarães(electric bass) Duduca Fonseca (drums) and crooner Clarice Taylor, (we had also a small demonstration of Capoeira in the middle of the sets, with Jelon and Loremil), doing 3 one hour sets per night, 6 nights per week, I started to think that I should start to take a different turn in my career, recording a L.P. with my compositions and arrangements. I thought: "to became a real artist, one must have an L.P. recorded.". With the help of two friends, James Mason (guitar) and Phil Clandermin (pianist and sound engineer) that took account of the former studio of the Audio Fidelity on Blecker St. and had a group (totally funk) and called me to do some solos (and some accompaniments) on the L.P. of James Mason (the only one recorded by them, then they disappeared completely, never heard about them anymore and the L.P. is nowadays considered "super cult") I got in exchange for my participation in their L.P. , rehearsals, etc. ... studio time to record my L.P. in their studio. The "adventure" begun. i wrote 4 songs and arrangements, and besides the trio, I invited Léa Freire (flute), Paulo Guimarães (flute), Naná Vasconcelos (percussion) and José Neto (guitar) and recorded 4 tracks. Then, everything stopped. James and Phil dispersed, and the studio closed. I have stored those 4 tracks at home. When I returned to Brazil in 1980, I started to finish the L.P., and called Sisão Machado (electric bass), Amado Maita (drums) Léa Freire (who played the two flutes), Marcelo Munari (guitar) and singer Silvia Maria, and recorded 3 tracks more and completed the L.P. And how to fin a record company to release it? None wanted, thought that the music was "anti-commercial". Then I discovered the "Independent Music Distribution", a company that Cesare Benvenutti had just founded to distribute L.Ps labeled as "anti-commercial". It was the birth of Independent movement in Brazil. There were (among other artists) Antonio Adolfo and the group "Boca Livre" (the first independent group to sell hundred of thousands os L.P.s). I had a great acceptance by the media and made memorable shows at Theaters in São Paulo, Salvador and Rio de Janeiro, sold more than 1,500 copies of these records in those shows, and to friends, and could pay for the pressing of the LPs and make some money for myself and pay my colleagues. After the closing of the "Independent Music Distribution" (the "majors" destroyed that company with their subtle ways), the L.Pl has never been re-edited, and only in 2001 a staff of English Whatmusic Record Company, considered me a "cult artist", and released my "Naturalmente" L.P. (the first release of their company), in Vinyl and CD, to the European, American and Japanese audiences. I am very happy that my first album is still "alive" and playing around, the world. Now I am looking for resources to do a reissue of this CD to make available for sale via Internet for those interested . By the way, the Whatmusic (English recording company) closed. Below, two tracks of that album, "A Sangue Quente" (Inner fire tap) recorded in New York and "O Canto dos Elefantes" (The Elephants Chant), recorded in Sao Paulo. I hope you enjoy.